Bahai Library Online

Tag "Roger White"

tag name: Roger White type: People
web link: Roger_White
references: bahaipedia.org/Roger_White
related tags: - Poets
author page: Roger White

"Roger White" appears in:

1.   from the main catalog (17 results; less)

  1. Roger White. Another Song, Another Season: Poems and Portrayals (1979). A collection of poems and prose: sympathetic and sometimes satirical portraits of martyrs, pioneers, and ordinary people, expressed with a poet’s vision.
  2. Roger White. Bahá'u'lláh and the Fourth Estate (1986). Bahá'u'lláh's response to the martyrdom of seven Bahá'ís in Yazd in May, 1891, and his relationship with the media.
  3. Geoffrey Nash. Can There Be a Bahá'í Poetry? (1981). The poetic vision; poetry in the 1800s; themes of Bahá'í poetry; the use of profane imagery.
  4. Jack McLean. Confessions of a Child of the Half-Light (2022). Philosophical essays; recollections of 'Abdu'l-Bahá by Laura Dreyfus Barney, Curtis Kelsey, and other Europeans; recollections of Shoghi Effendi by ten individuals; dreams and visions; eulogies of the author's parents; travel teaching across Russia.
  5. Roger White. Cup of Tea, A (1979). Monologue from the point of view of a fictitious character who meets 'Abdu’l-Baha. Upper class and prejudiced, she does not believe she can change her life sufficiently to embrace the Faith, but has a life-changing experience meeting the Master.
  6. Roger White. Deft Adjustment, The: English-language poetry in present-day Israel (1988). Discussion of Israeli and Jewish poems, and reviews of the books Voices within the Ark, Modern Hebrew Poetry, Penguin Book of Hebrew Verse, Seven Gates: Poetry from Jerusalem, and Voices Israel.
  7. Ron Price. Emergence of a Bahá'í Consciousness in World Literature: The Poetry of Roger White (2002). A study of White's verse with a short biography and an analysis of the Bahá'í Faith.
  8. Roger White. Figures in a Garden (1981). Fictional monologues of the Persian poet Táhirih (1817/18-1852) and the American poet Emily Dickinson (1830-1886).
  9. Roger White. Glimpses of Abdu'l-Baha: Adapted from the Diary of Juliet Thompson (1979). Portrayals and dramatizations in verse, adapted from recollections by Juliet Thompson.
  10. Roger White. Indiscretion of Marie-Thérèse Beauchamps, The (1981). Fictional dramatization of a recollection of seeing Abdu'l-Bahá in Montreal (1912).
  11. Roger White. One Bird, One Cage, One Flight: Homage to Emily Dickinson (1983). In over 100 poems, inspired by themes and images from Dickinson's letters and poetry, White narrates her life from age 14 until her death in 1886, salutes her wit, and pays tribute to her person.
  12. Roger White. Poetry and Self-Transformation (1989). Poetry is no longer very accessible to the average reader or widely read; serious poets are often in conflict with their times; the Bahá'í Writings provide a foundation for poetic expression and a renewed spiritual aesthetics.
  13. John S. Hatcher, ed. Reflections on the Art of My Poetry: An Interview of Roger White (1929-1993) (2016). A glimpse into the mind of a gifted poet and the struggles that he, like many Bahá'í artists, encountered in responding to Bahá'u'lláh's exhortation that art best serves humanity when it elevates and edifies the soul and its spiritual receptivity.
  14. Robert Weinberg. Roger White: An Obituary: Writer and editor, "poet laureate" of the Bahá'í community (1929-1993) (1997). Brief biography, written as an obituary, of a famous Bahá'í poet.
  15. Roger White. Settling the Score With Mr. Ogden Nash for the Seven Spiritual Ages of Mrs. Marmaduke Moore and Thereby Achieving if Not a Better Verse at Least a Longer Title (1979). A dialogue for two readers, adapted from a poem.
  16. Roger White. Some Sort of Foreigner (1981). Fictional dramatization of an encounter with Abdu'l-Bahá in 1911, and reflections on "this business of religion."
  17. Marzieh Gail, Hilda Phillips. Wisdom and Wit of Roger White, The: Two Reviews (1987). Reviews of White's books One Bird One Cage One Flight and A Sudden Music.

2.   from the Chronology (1 result)

  1. 1993-04-10
      The passing of Roger White, writer, editor and "poet laureate" of the Bahá'í community, in Richmond, British Columbia (b. in Toronto on 2 June 1929).
    • Served at the World Centre for some twenty years as a secretary and as manager of the publishing department when many important new volumes were published. Under the supervision of the Universal House of Justice, he was responsible for compiling and publishing volumes XIV to XIX of The Bahá'í World, as well as editing the invaluable compendium of volumes I to XII, published in 1981.
    • Published, at his own expense, a book of poetry called Summer Window for which he did the drawing on the front cover.
    • Another Song, Another Season (1979), The Witness of Pebbles (1981) and a tender and eloquent novel which presented a semi-fictionalized account of the early days of the Bahá'í Faith in Paris, A Sudden Music, was also published by George Ronald in 1983.
    • This was followed by a biographical tribute to the poet Emily Dickinson in the form of more than 100 poems: One Bird, One Cage, One Flight (Naturegraph, 1983).
    • A short, historical account of the martyrdom of 'Alí-Asghár of Yazd entitled The Shell and the Pearl was published by George Ronald in 1984.
    • Occasions of Grace (George Ronald, 1992) was published after he retired from service in Haifa in 1991 following a major heart surgery.
    • He returned to Canada and was diagnosed with terminal cancer shortly after.
    • His last two collected works of poetry were Notes Postmarked the Mountain of God (New Leaf, 1992) and The Language of There (New Leaf, 1992).
    • He also completed the text for Raghu Rai's photographic celebration of the Bahá'í House of Worship in New Delhi, Forever in Bloom. [Bahá'í Studies Review, Vol7, 1997]
    • See Bahá'í World 1994-95 pg249 for an article by Anne Boyles entitled "The Language of the Heart: Arts in the Bahá'í World Community" for mention of Roger White.
    • See The Journal of Bahá'í Studies Vol. 26 no 1-2, 2016 p91 "Reflections on the Art of My Poetry" by John Hatcher. It is based on a telephone interview with him shortly before his passing.
    • For obituary see BW92-93p276
    • Find a grave.

3.   from the Chronology of Canada (3 results; less)

  1. 1955-12-31 — Teachers at Beaulac Winter School were Roger White, Ottawa, who led a discussion on "The Way Home" based on the Seven Valleys and Douglas Martin whose course was entitled "The Emphasis is on the Individual". [CBN No 73 Feb 1956 p4]
  2. 1973-05-22 — The passing of Alfred "Jim" Loft (b. 13 July 1908 in Hiawatha, Ontario) on Tyendinaga First Nation [BW16p514-516]

    Alfred James Loft (1908-1973) was the first Canadian Bahá'í of the Mohawk Nation. His earliest childhood recollection was of sitting on a fence near his home (in Oshawa, Ontario) watching a train crossing the landscape. A figure clothed in flowing white robes was on the train, smiling and waving at him. In confusion and delight Jim toppled backwards. When he found the Bahá'í Faith in 1948, he recognized the figure on the train as 'Abdu'l-Bahá, Who had left Montreal on 9 September 1912 on a train bound for Toronto where He changed trains for Buffalo, New York. In 1949, in obedience to the Guardian's wishes, Jim returned with his family to the Mohawks of the Bay of Quinte (Tyendinaga) to establish the Faith among his people, remaining there until his death.
    [Witness of Pebbles, by Roger White, p24]

  3. 1993-04-10
      The passing of Roger White, writer, editor and "poet laureate" of the Bahá'í community, in Richmond, British Columbia (b. in Toronto on 2 June 1929).
    • Roger served at the World Centre for some twenty years as a secretary and as manager of the publishing department when many important new volumes were published. Under the supervision of the Universal House of Justice, he was responsible for compiling and publishing volumes XIV to XIX of The Bahá'í World, as well as editing the invaluable compendium of volumes I to XII, published in 1981.
    • He published, at his own expense, a book of poetry called Summer Window for which he did the drawing on the front cover.
    • Another Song, Another Season (1979), The Witness of Pebbles (1981) and a tender and eloquent novel which presented a semi-fictionalized account of the early days of the Bahá'í Faith in Paris, A Sudden Music, was also published by George Ronald in 1983.
    • This was followed by a biographical tribute to the poet Emily Dickinson in the form of more than 100 poems: One Bird, One Cage, One Flight (Naturegraph, 1983).
    • A short, historical account of the martyrdom of 'Alí-Asghár of Yazd entitled The Shell and the Pearl was published by George Ronald in 1984.
    • Occasions of Grace (George Ronald, 1992) was published after he retired from service in Haifa in 1991 following a major heart surgery.
    • He returned to Canada and was diagnosed with terminal cancer shortly after.
    • His last two collected works of poetry were Notes Postmarked the Mountain of God (New Leaf, 1992) and The Language of There (New Leaf, 1992).
    • He also completed the text for Raghu Rai's photographic celebration of the Bahá'í House of Worship in New Delhi, Forever in Bloom. [Bahá'í Studies Review, Vol7, 1997]
    • See Bahá'í World 1994-95 pg249 for an article by Anne Boyles entitled "The Language of the Heart: Arts in the Bahá'í World Community" for mention of Roger White.
    • See The Journal of Bahá'í Studies Vol. 26 no 1-2, 2016 p91 "Reflections on the Art of My Poetry" by John Hatcher. It is based on a telephone interview with him shortly before his passing.
    • For Roger White's obituary see BW92-93p276.
 
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